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Treatment

 

Design

 

Tie-dyeing

 

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Telia Rumal - double ikat handwoven textile -

WEAVING

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Rambiyamma winds bobbins of the weft so the weaving can begin

The great preparation of tie-dyeing warp and weft constitutes the largest proportion of time in the Telia Rumal process. Now setting up the loom requires precision in maintaining the dyeing alignment so carefully calculated and executed.

The reed is threaded, by tying onto the cut end of the previous warp so the ends can be pulled through the reed and heddles saving a great deal of time. It then is taken outdoors to stretch the length out fully where there is plenty of space to work. Any repairs to the warp are made before going to the loom. The warp in perfect condition, is then folded up neatly to be carried to the loom.

The heddles are hooked on, reed set in place and front ends of warp are attached to the breast beam of the pit loom. Lease sticks are left in, behind the heddles, to keep the threads in order. Then the weaver goes to the back of the loom and stretches the warp out the length of the room, attaching the loose end to a pole. Much care must be taken to get even tension and perfect alignment.

The weaving begins using a fly shuttle, operated by pulling a cord in the center of the loom. When weaving plain fabric this can go extremely fast, but with double ikat each throw of the shuttle has to be carefully checked to make sure that the design is intersecting perfectly. However there is always a slight movement of yarn that creates a feathered edge to the motifs giving a characteristic blurring of the design when inspecting closely. At this beginning stage minor adjustments are made to any imperfections of alignment that show up with the first few inches of weaving.

It is important to check behind the heddles often to loosen any yarns that are starched together or twisted. Broken threads can be mended as the work progresses. A Master Weaver  can weave the full length of eight rumals in 4 or 5 days, however the average weaver could take several weeks to complete the piece.

When finished, the fabric is starched before being removed from  the loom. When dry the product is inspected for any flaws which are then mended. This finishes the lengthy process.

Could you have imagined so much work was required to produce this cloth?

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Ramulu puts new colour bobbin in shuttle.
Can you hear him suck the thread through the feed hole on bobbin?

 

 

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Ramulu, a Master Weaver, is placing the reed in the beater

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tying the warp behind the loom

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adjusting the design before starting to weave

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the weaving progresses

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starched rumal drying

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Gajam brothers Yadagiri and Ramulu display the finished rumal

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