Conclusions
Modern practice of the telia rumal
tradition has seen new products developed using the traditional
motifs and characteristic colour schemes. Originally these cloths
were used for turbans and loin cloths. Occasionally double pieces
were used for scarves called dupattas. Now sari lengths are
also produced and even bedspreads and furnishing fabrics with
enlarged designs add to the range. However the turban still
seems to be a popular use of this textile.
Use of chemical dyes replacing
traditional natural dyes has been the biggest factor in greater
efficiency. Although the same colour range is used, something
has been lost in the richness of colour. Warping mills have
replaced the laborious wall pegs for preparation of thread length.
Mercerized cotton yarns and occasionally silk have given variety
to the product. These changes are adaptations of a traditional
product to modern markets. However the enormous time required
to produce even a metre of this fabric will not be economically
viable unless the general public learn to appreciate the great
skill required to produce this unique hand crafted textile.
Next time you see a fabric with
designs having the characteristic feathered edges will you recognize
that it is ikat? Will you remember the expert tying and dyeing
required to create it???
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